Tighten the low endWhat's clipping?Suggest a chord progression in D minorSidechain the bass to the kickGive the kick more umphWhy does the pad clash with the synth?Warm up the vocalIs this loud enough for streaming?Quantize the hats, keep the swingBounce stems at 24-bitTighten the low endWhat's clipping?Suggest a chord progression in D minorSidechain the bass to the kickGive the kick more umphWhy does the pad clash with the synth?Warm up the vocalIs this loud enough for streaming?Quantize the hats, keep the swingBounce stems at 24-bitTighten the low endWhat's clipping?Suggest a chord progression in D minorSidechain the bass to the kickGive the kick more umphWhy does the pad clash with the synth?Warm up the vocalIs this loud enough for streaming?Quantize the hats, keep the swingBounce stems at 24-bitTighten the low endWhat's clipping?Suggest a chord progression in D minorSidechain the bass to the kickGive the kick more umphWhy does the pad clash with the synth?Warm up the vocalIs this loud enough for streaming?Quantize the hats, keep the swingBounce stems at 24-bit
What it does
A full co-creator for your project.
An AI co-creator that can do anything in digital audio production that a human can do, without overstepping its boundaries.
Bar 12·Bass·−3.1 dB·D minor
Listen
It hears your session
Cambria sees continuously — every track, every clip. Ask what's clipping, what's clashing, or what the bass is doing in bar 12. Answers in musical terms, not file paths.
Gain
Kick−6.0 dB
Bass high-passed·Applied
Edit
Surgical, not generative
Cambria translates natural questions and demands into precise production actions. Tell it to tighten the low end, beef up the kick, or stop the pad clashing with the synth. It makes the technical edits for you.
D minor·Bassline·8 bars
Sketch
Fast ideas, yours to finish
Hum a chord progression; ask for a bassline in D minor. Cambria sketches. You rewrite, replace, or throw it away — the next draft is always in your hands.
The workstation
A workstation, not a studio.
Cambria is a desktop DAW with all the advanced features for engineering audio, not generating it.
01 / 08
Notes writtenclip.add_midi · 8
Bassline · C minor · 2 bars · on Bass DI
C4
F3
C3
12345
01
Generate MIDI
Ask for a bassline in C minor or a chord bed under the chorus. The notes land on the roll as a clip you keep editing.
Addedasset.import → Kick
“punchy 808 kick, 90–100 BPM”
kick_808_punch_03.wav
0:01.1 · C · 96 BPM
on Kick
kick_sub_long_01.wav
0:01.8 · F · 92 BPM
kick_808_dist_07.wav
0:00.9 · C · 100 BPM
kick_tape_soft_02.wav
0:01.3 · G · 94 BPM
02
Find any audio sample
The co-creator searches your library, auditions the candidates, and puts the right one on the track.
Knowledge packs for the plugins producers actually use — Serum 2, FabFilter Pro-Q 4, Valhalla Delay — so the co-creator sets them the way an engineer would.
what will make this feel dreamy?
Slow the harmonic rhythm to one chord per two bars and borrow iv from the parallel minor. Under your C major melody, Fm(add9) into Cmaj7 reads as dreamy — keep the pad holding the maj7.
Sketchedclip.add_midi · 4 chords · Pad
Cmaj7Fm(add9)Am7G(add9)
04Genre · key · rhythm · arrangement · structure
Advanced musical knowledge
Ask what would make the chorus feel dreamy and get a chord progression back, not a vibe.
Arrangedproject.apply_edits · 4 clips · 8 bars
MSDrums
MSBass
MSChords
MSLead
12345678
Drums — break_92
Bass — take 3
Chords — warm
Lead — Serum 2
05
Arrange a beat
Audio and MIDI clips laid into an arrangement — drums, bass, chords, lead — on a real timeline, in your session.
Applieddevice.set_param · 2 edits
Kick · Pro-Q 4 · HPF 120 Hz · Bus · Pro-C 2 · 2.4 dB GR
Measured
The low end cleared. Kick and bass no longer overlap below 140 Hz.
Where they collide
A · beforeB · afterhottest zone · 60–140 Hz
Keep itRevert to A
06
Mix and master
EQ and compression as tool calls, each with a receipt: what changed, and what it measured afterwards.
Measured
Spectral overlapkick / bass · −38%
Loudness−14.2 LUFS · ST −11.8
True peak−1.8 dBFS
MIRC minor (0.92) · 120.0 BPM · 4/4
render.audio · analysis.compare · mir.detect
Kick and bass stopped fighting below 140 Hz. Loudness sits at −14.2 LUFS with 1.8 dB of headroom, so nothing clips on streaming.
07Spectral overlap · LUFS · MIR
Advanced audio analysis
Every edit is measured before the co-creator claims a result: overlap, loudness, true peak, key and tempo.
Automatedautomation.write · Send A · 8 bars
Vox Lead−2.1 dB
MS
Return A · Delay0.0 dB
MS
Return B · Reverb−4.0 dB
MS
Send A
−8.0 dB
Valhalla Delay · 1/8 dotted
In
Valhalla Supermassive
In
08Send / return busses · automation
Advanced audio routing
Patch a vocal into a delay return and automate the send, the way you would on a desk.
Principles.
How we think
01
The artist is the author.
Cambria is an instrument for executing the artist's intent, a musical guide for direction, and an editor. The co-creator never takes over the track. The artist stays the taste-maker.
02
Music is a language.
Cambria speaks it at every level of fluency. From “give the kick more umph” to LUFS and busses.
03
The tool should disappear.
Rams said good design is as little design as possible. A DAW should feel like a piece of machined hardware: honest, quiet, always ready.
Beta · Waitlist open
A DAW that listens.
Join the waitlist. We're onboarding a small group of producers and engineers to beta-test.
